cinema studies upenn

CIMS 502 Masters in Liberal Arts Seminar. This page features a small selection of e-books related to Cinema and Media Studies. Emphasis is placed on time-based design and storytelling through animation performance and montage. As an advanced theory-practice course, it combines seminar readings and discussion with regular screenings and a series of workshops on photo, video, audio, and postproduction skills. Next, we will explore the paranoid, schizophrenic world of Cold-War-era dystopias by J.G Ballard, Philip K. Dick and Octavia Butler. Location and knowledge production are inextricably connected, and by considering African media production from these multiple sites, and collaborating with multiple stakeholders, this course offers a directly engaged pedagogy of the complex artistic, cultural, social, and political dynamics of African audiovisual creation. Also Offered As: ARTH 573, COML 570, ENGL 573, GRMN 573, REES 683, CIMS 528 Modern Spain and Hispanic America. Also Offered As: ENGL 276, THAR 275, URBS 274, CIMS 240 Modern Italian Culture: Italian American Experiences, Please check the website for a current course description at: http://www.sas.upenn.edu/italians/courses, CIMS 244 Metropolis: Culture of the City. 4 We’ll Be Young and Beautiful. Also Offered As: ARTH 593, COML 599, ENGL 593. We will watch films such as Tornatore's Cinema paradiso and Coppola's The Godfather II, and read texts such as Lampedusa's The Leopard and Maraini's Bagheria. Course requirements: attendance at lecture and participation in lecture and section discussions; canvas postings; 1 in-class mideterm; 1 take-home final. Also Offered As: COML 256, EALC 151, EALC 551, GSWS 257, CIMS 152 Forest Worlds: Mapping the Arboreal Imaginary in Literature and Film. The class will focus on learning the basic tenets of classical dramatic structure and how this (ideally) will serve as the backbone for the screenplay of the aforementioned terrific idea. See the Cinema Studies website at cinemastudies.sas.upenn.edu/courses for a description of the current offerings. There will be no screenings for this course. Cinema Studies Program209A Fisher-Bennett Hall ⋅ 3340 Walnut Street ⋅ Philadelphia, PA 19104 ⋅ (215) 898-8782. While Israeli works constitute more than half of the course's material, European film and fiction play comparative roles. Specific course topics vary from year to year. Also Offered As: COML 009, ENGL 009, HIST 009. Also Offered As: ARTH 100, ENGL 017, URBS 106, CIMS 024 Introduction to American and British Film and Media. In addition to a range of short assignment-based exercises, students will be expected to complete three short projects over the course of the semester. What's so funny, Mr. Chekhov? This course will also explore the unique "personal statements" and the sometimes controversial "star personas" of such screen artists as Sidney Poitier, Dorothy Dandridge, Paul Robeson, Richard Pryor, Oscar Micheaux, Spike Lee, Bill Cosby, Eddie Murphy, and Whoopi Goldberg. How do fans circumvent geo-blocking to watch live sporting events? Workshops on producing, directing, lighting, camera, sound and editing will build skills necessary for the hands-on production shoots. We will also consider religious motivations and interpretations that have inspired many involved in this conflict as well as the political consequences of world wars that contributed so greatly to the reconfiguration of the Middle East after the fall of the Ottoman Empire, and after the revelations of the Holocaust in Western Europe. In this course, students will read several canonical works of nineteenth-century Russian literature that thematize and foreground the act of reading: as a pursuit undertaken for the betterment of self, society, nation, and world; as a light pastime for the bored or underemployed; but also as an enterprise fraught with potential for moral or civic ruin. Cinema and Media Studies help@english.upenn.edu 215-898-6211 . ), their "auteurs," the nature of the French star system, the role of the other arts, as well to the critical debated they have sparked among critics and historians. Department of English University of Pennsylvania Fisher-Bennett Hall, room 127 3340 Walnut Street Philadelphia, PA, 19104-6273 Phone: (215) 898-7341 Also Offered As: COML 300, ENGL 231, ITAL 300, CIMS 301 French Identity in the Twentieth Century. The course particularly focuses on how global television cultures have been transformed due to shifts from broadcasting technologies to (Internet) streaming services? This course will provide an introduction to some of the most important film theory debates, and allow us to explore how writers and filmmakers from different countries and historical periods have attempted to make sense of the changing phenomenon known as "cinema," to think cinematically. In this collaboration between Penn and the Philadelphia Museum of Art (PMA), students will work with with curators to create virtual reality projects connected to the museum's collections. Often our thoughts range from scenic vacation spots, delicious seafood and cannoli, and sweet grandmothers dressed in black, to mafia violence, vendettas, and the deep-rooted code of silence, omerta. These include history, political science, and anthropology, as well as studies of mass media, sexuality, religion, urban life, and the environment. It is designated as a Benjamin Franklin Seminar. Double majors may entail more course units. Nonetheless, private traumas (such as madness, abuse, or loss) or an adult s longing for an idealized time are often the central foci of the stories. Specific course topics vary from year to year. Reflecting the hybrid nature of the field of Cinema and Media Studies, our faculty members are housed in departments across SAS and the university, and we cross-list courses with various departments and schools, including Africana Studies, Anthropology, Communications, East Asian Language and Civilizations, English, Fine Arts, German, History, History of Art, Near Eastern Languages and Civilizations, Romance Languages, Slavic Languages and Literatures, and Women’s Studies. In this course, we will study Tarkovsky's films and life, with attention to his formal and artistic accomplishments, his thought and writings, and the cultural and political contexts of his work. Students are required to attend screenings or watch films on their own. We will then selectively examine some of the most important films of the last two decades, including those of U.S. independent film movement and movies from Iran, China, and elsewhere in an expanding global cinema culture. in English that are not specific to a particular country are the responsibility of the Cinema and Media Studies bibliographer. See the Cinema Studies website at for a description of the current offerings. Also Offered As: ENGL 466. Readings by, among others, Dickens, Poe, Baudelaire, Rilke, Doeblin, marx, Engels, Benjamin, Kracauer. This course explores literature that resists normative categories of gender and sexuality. The in-class screenings and discussions will include such films as Show Boat (1936), the independently produced "race movies" of the 1930s and 1940s, Cabin in the Sky (1943), The Defiant Ones (1958), Imitation of Life (the 1959 remake), Super Fly (1972), and She's Gotta Have It (1986) and such television series as "I Spy," "Julia," "Good Times," "The Jeffersons," "Roots," "A Different World," "I'll Fly Away," "LA Law," and "Hangin' With Mr. CIMS 206 Italian History on Screen: How Movies Tell the Story of Italy. February 19-20, 2021. nyuconference2021@gmail.com Frames, windows, mirrors is a set of related, multivalent concepts that have each worked as figurative anchors at critical junctures in film and media history. Prerequisite: Two 200-level French courses taken at Penn or equivalent are required for FREN 382. English: Cinema & Media Studies, BA Students deciding to pursue English at Penn study language, literature, literary history and theories of literary production in a thirteen-course major of flexible design. Cinema and Media Studies students also learn how the history of production, social history and film theory are interrelated. Students research and critique both the artistic aspects and the commercial p. In this studio based course, students are introduced to video production and postproduction as well as to selected historical and theoretical texts addressing the medium of video. What does digitization afford and what is lost as television and cinema become digitized? CIMS 370 Blacks in American Film and Television, An examination and analysis of the changing images and achievements of African Americans in motion pictures and television. Penn Summer COVID-19 Update Penn Summer staff are not onsite, but we are still available Monday through Friday from 9 a.m. - 5 p.m. by phone and online in case you need support: (215) 898-7326 or summer@sas.upenn.edu. Pluto also offers channels for action, comedy, romance, drama, horror, thrillers, and black and Latin cinema. Penn Libraries' DVDs and video collections are accessible via Franklin. An introduction to Writing about Literature, with emphasis on a particular theme, genre, or period. Virtual reality systems methods with matte painting, computer animation or video LEAST pages... Seminar offers an intensive production course involving the exploration of concepts, techniques, concerns, and Cinema Media... Include Vertov, Kuleshov, Eisenstein, Pudovkin, Medvedkin and others and food will be made upon... Fiction and film in Translation: Autobiography of Italy are beautiful, intellectually challenging, replaying. 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